"Coppélia / Tableau 3: No. 20 Fête de la cloche: 7a) La paix" by Léo Delibes, Ron Golan, Orchestre de la Suisse Romande, Richard Bonynge was released on January 1, 1970. With this song being about 5 minutes long, at 4:37, "Coppélia / Tableau 3: No. 20 Fête de la cloche: 7a) La paix" by Léo Delibes, Ron Golan, Orchestre de la Suisse Romande, Richard Bonynge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 33 in Delibes: Coppélia by Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Coppélia / Tableau 3: No. 20 Fête de la cloche: 7a) La paix is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Coppélia / Tableau 3: No. 20 Fête de la cloche: 7a) La paix by Léo Delibes, Ron Golan, Orchestre de la Suisse Romande, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto | Frédéric Chopin, Leif Ove Andsnes | E♭ Major | 0 | 5B | 148 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: V. Finale. Allegro vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 81 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 0 | 11B | 69 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Scene dansee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 102 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM |