"7 Virtuoso Etudes: No. 5, The Man I Love (After Gershwin)" by Earl Wild, Leon Fleisher was released on July 8, 2014. The duration of 7 Virtuoso Etudes: No. 5, The Man I Love (After Gershwin) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. 7 Virtuoso Etudes: No. 5, The Man I Love (After Gershwin)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 9 in All the Things You Are by Leon Fleisher. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 7 Virtuoso Etudes: No. 5, The Man I Love (After Gershwin) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Virtuoso Etudes: No. 5, The Man I Love (After Gershwin) by Earl Wild, Leon Fleisher is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Piano and Orchestra No. 23 in A major: II. Adagio | Wolfgang Amadeus Mozart, Imogen Cooper, Royal Northern Sinfonia | F♯ Minor | 0 | 11A | 85 BPM | ||
Sheep May Safely Graze | Johann Sebastian Bach, Leon Fleisher | B♭ Major | 0 | 6B | 98 BPM | ||
12 Ländler, D. 790, Op. 171: No. 1 in D Major | Franz Schubert, Leon Fleisher | D♭ Major | 1 | 3B | 130 BPM | ||
All in the Past | Georgs Pelēcis, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 0 | 7A | 58 BPM | ||
Davidsbündlertänze, Op. 6: No. 14, Zart und singend | Robert Schumann, Nikita Mndoyants | B♭ Major | 0 | 6B | 71 BPM | ||
Songs My Mother Taught Me from Gypsy Melodie, Op. 55 | Yo-Yo Ma, Patricia Zander | C Minor | 0 | 5A | 98 BPM | ||
Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Leon Fleisher, Stuttgart Chamber Orchestra | F♯ Minor | 0 | 11A | 90 BPM | ||
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia | D♭ Minor | 0 | 12A | 75 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM |