"Mosaics" by Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz was released on January 1, 1992. Mosaics appears to be safe for all ages as it is not explicit. The track order of this song in Howard Hanson, Gerard Schwarz's "Hanson, H.: Music of Howard Hanson, Vol. 1 - Symphonies Nos. 2 and 4 / Fantasy-Variations On A Theme of Youth" album is number 9 out of 20. Mosaics is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mosaics by Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
And On the Seventh Day | Paul Earls, Eastman-Rochester Orchestra, Howard Hanson | A Major | 2 | 11B | 125 BPM | ||
Prelude in in B Minor, Op. 28, No. 6 | Frédéric Chopin, Vladimir Horowitz | E Major | 0 | 12B | 126 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
Merry Mount Suite: 3. Love Duet | Howard Hanson, Eastman-Rochester Orchestra | E Major | 2 | 12B | 172 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Piano Sonata in A Minor, Op. 11: I. Andante Espressivo | Howard Hanson, Thomas Labe | F♯ Minor | 1 | 11A | 63 BPM | ||
The Planets Suite, Op. 32: III. Mercury | Gustav Holst, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Neville Creed | C Major | 2 | 8B | 128 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM |