End Montage / "Art thou gone so? I do but stay behind"

Royal Shakespeare Company, Will Gregory, Corin Buckeridge
King John: Music & Speeches
4:35 2021年11月17日
テンポ
131
キー
F♯ Minor
キャメロットミュージックキー
11A

リンクを埋め込む

共有

End Montage / "Art thou gone so? I do but stay behind" - Royal Shakespeare Company, Will Gregory, Corin Buckeridge 情報

音響性
74%
ダンサビリティ
68%
エネルギー
89%
手段性
42%
活気
9%
ラウドネス
83%
話し言葉
12%
価数
74%
人気
ラウドネス
-10.336 dB

まとめ

Royal Shakespeare Company, Will Gregory, Corin Buckeridge made "End Montage / "Art thou gone so? I do but stay behind"" available on November 17, 2021. With this song being about 5 minutes long, at 4:35, "End Montage / "Art thou gone so? I do but stay behind"" by Royal Shakespeare Company, Will Gregory, Corin Buckeridge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Royal Shakespeare Company, Will Gregory, Corin Buckeridge's "King John: Music & Speeches" album is number 11 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, End Montage / "Art thou gone so? I do but stay behind"'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

End Montage / "Art thou gone so? I do but stay behind" テンポ

We consider the tempo marking of End Montage / "Art thou gone so? I do but stay behind" by Royal Shakespeare Company, Will Gregory, Corin Buckeridge to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

End Montage / "Art thou gone so? I do but stay behind" キー

This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Flight by Sutton FosterFlightSutton FosterD Major210B102 BPM
Apparitions by Rupert Cross, Royal Shakespeare CompanyApparitionsRupert Cross, Royal Shakespeare CompanyG Major19B125 BPM
Song by Michael HernandezSongMichael HernandezB♭ Major16B110 BPM
A Taste of Honey by Royal Shakespeare Company, Sam Kenyon, Laura ElsworthyA Taste of HoneyRoyal Shakespeare Company, Sam Kenyon, Laura ElsworthyB Major91B150 BPM
Chasing Shadows Across the Stars by Ophira GalaxiaChasing Shadows Across the StarsOphira GalaxiaF Major17B97 BPM
Richard by Paul Englishby, Royal Shakespeare CompanyRichardPaul Englishby, Royal Shakespeare CompanyF Major17B83 BPM
Happiness Isn't Very Interesting by Nik_PoetryHappiness Isn't Very InterestingNik_PoetryC Major28B110 BPM
Epilogue by Royal Shakespeare CompanyEpilogueRoyal Shakespeare CompanyF Major47B92 BPM
The Otter by Seamus HeaneyThe OtterSeamus HeaneyA♭ Major04B101 BPM
In Stratford East by Royal Shakespeare Company, Sam Kenyon, Sandy Foster, Solomon Israel, Sophia NomveteIn Stratford EastRoyal Shakespeare Company, Sam Kenyon, Sandy Foster, Solomon Israel, Sophia NomveteC Major38B152 BPM
ISRC
GB89G1900063
レコードレーベル
L-M Records/RCA Records