Royal Shakespeare Company, Will Gregory, Corin Buckeridge made "End Montage / "Art thou gone so? I do but stay behind"" available on November 17, 2021. With this song being about 5 minutes long, at 4:35, "End Montage / "Art thou gone so? I do but stay behind"" by Royal Shakespeare Company, Will Gregory, Corin Buckeridge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Royal Shakespeare Company, Will Gregory, Corin Buckeridge's "King John: Music & Speeches" album is number 11 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, End Montage / "Art thou gone so? I do but stay behind"'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of End Montage / "Art thou gone so? I do but stay behind" by Royal Shakespeare Company, Will Gregory, Corin Buckeridge to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flight | Sutton Foster | D Major | 2 | 10B | 102 BPM | ||
Apparitions | Rupert Cross, Royal Shakespeare Company | G Major | 1 | 9B | 125 BPM | ||
Song | Michael Hernandez | B♭ Major | 1 | 6B | 110 BPM | ||
A Taste of Honey | Royal Shakespeare Company, Sam Kenyon, Laura Elsworthy | B Major | 9 | 1B | 150 BPM | ||
Chasing Shadows Across the Stars | Ophira Galaxia | F Major | 1 | 7B | 97 BPM | ||
Richard | Paul Englishby, Royal Shakespeare Company | F Major | 1 | 7B | 83 BPM | ||
Happiness Isn't Very Interesting | Nik_Poetry | C Major | 2 | 8B | 110 BPM | ||
Epilogue | Royal Shakespeare Company | F Major | 4 | 7B | 92 BPM | ||
The Otter | Seamus Heaney | A♭ Major | 0 | 4B | 101 BPM | ||
In Stratford East | Royal Shakespeare Company, Sam Kenyon, Sandy Foster, Solomon Israel, Sophia Nomvete | C Major | 3 | 8B | 152 BPM |