"Meine Seele erhebt den Herrn" by Heinrich von Herzogenberg, Schweizer Vokalconsort, Marco Amherd was released on October 22, 2022. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Heinrich von Herzogenberg: Meine Seele erhebt den Herrn and no other songs are present in the album, we classify this track as a single. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Meine Seele erhebt den Herrn is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Meine Seele erhebt den Herrn by Heinrich von Herzogenberg, Schweizer Vokalconsort, Marco Amherd to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sept chansons - La Blanche Neige | Laurence Equilbey, Accentus, Francis Poulenc | D Minor | 1 | 7A | 78 BPM | ||
XXVII. Er sprach zu mir (Martin Luther, Nun freut euch, lieben Christen g'mein) | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Variations on a Theme of J. Brahms, Op. 23 for piano 4-hands: Variation V, Allegretto | Heinrich von Herzogenberg, Piano Duo Nadan | D Major | 0 | 10B | 183 BPM | ||
Am Morgen | Alexander Därr | D Major | 0 | 10B | 112 BPM | ||
Passion Week, Op. 58: I. Behold, the Bridegroom | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | D♭ Minor | 1 | 12A | 130 BPM | ||
Dies sanctificatus illuxit nobis | Joseph Leopold Eybler, The Cathedral Singers, Richard Proulx | G Major | 1 | 9B | 131 BPM | ||
25 Scottish Songs, Op. 108: No. 20, Faithfu' Johnie | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: III. Siehe, wir preisen. Langsam und sanft | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | F Major | 1 | 7B | 99 BPM | ||
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM |