Richard Wagner, Wiener Philharmoniker, Claudio Abbado's 'Lohengrin, WWV 75: Prelude To Act I' came out on 1987. Since Lohengrin, WWV 75: Prelude To Act I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Lohengrin (Highlights) by Richard Wagner, Wiener Philharmoniker, Claudio Abbado. The song's track number on the album is #1 out of 11 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Lohengrin, WWV 75: Prelude To Act I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, WWV 75: Prelude To Act I by Richard Wagner, Wiener Philharmoniker, Claudio Abbado has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin, WWV 75: Prelude To Act I being at 98 テンポ, the half-time would be 49 テンポ with a double-time of 196 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM | ||
Scènes bohémiennes la jolie fille de perth: Danse bohémienne | Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | B Minor | 1 | 10A | 81 BPM | ||
Aida: Preludio | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
String Quartet in G Minor, Op. 10: III. Andantino (Doucement expressif) | Claude Debussy, Quatuor Ébène | A Minor | 0 | 8A | 129 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Helenen-Quadrille, Op.14 | Eduard Strauss, Wiener Philharmoniker, Georges Prêtre | C Major | 4 | 8B | 102 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Intermezzo, Op.72, TrV 246: Symphonic Interlude: Träumerei am Kamin | Richard Strauss, Wiener Philharmoniker, André Previn | A♭ Major | 2 | 4B | 84 BPM | ||
Carolinen-Galopp, Op. 21a | Johann Strauss I, Daniel Barenboim, Wiener Philharmoniker | B♭ Major | 2 | 6B | 151 BPM |