Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet's '4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet)' came out on January 10, 2020. The duration of 4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in Elgar by Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) by Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet is Lento (slowly), since this song has a tempo of 52 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
There's Nae Lark (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Major | 0 | 5B | 98 BPM | ||
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | Frédéric Chopin, Alice Sara Ott | F Minor | 1 | 4A | 80 BPM | ||
Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | E Major | 1 | 12B | 88 BPM | ||
Intermezzo No. 1 | Manuel Ponce, Simon Ghraichy | E Minor | 1 | 9A | 67 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
La villageoise | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 152 BPM |