"La Calisto - Realization by Raymond Leppard. - Act 1: Ardo, sospiro e piango" by Francesco Cavalli, Dame Janet Baker, London Philharmonic Orchestra, Raymond Leppard was released on January 1, 1994. With this song being about 5 minutes long, at 4:32, "La Calisto - Realization by Raymond Leppard. - Act 1: Ardo, sospiro e piango" by Francesco Cavalli, Dame Janet Baker, London Philharmonic Orchestra, Raymond Leppard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 16 in Bach/Purcell/Rameau/Cavalli/Ravel/Chausson - Janet Baker by Dame Janet Baker. La Calisto - Realization by Raymond Leppard. - Act 1: Ardo, sospiro e piango is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Calisto - Realization by Raymond Leppard. - Act 1: Ardo, sospiro e piango by Francesco Cavalli, Dame Janet Baker, London Philharmonic Orchestra, Raymond Leppard is Lento (slowly), since this song has a tempo of 57 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Sonata D major | Georg Muffat, John Holloway, Aloysia Assenbaum-Holloway, Lars Ulrik Mortensen | D♭ Major | 2 | 3B | 109 BPM | ||
La Calisto: Vivo per te | Francesco Cavalli, Anne Sofie von Otter, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 0 | 2A | 57 BPM | ||
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Forqueray, A: Pèces de viole, Suite No. 1 en ré mineur: V. La Portugaise. Marqué et d'aplomb | Antoine Forqueray, Jean Rondeau | D♭ Minor | 2 | 12A | 126 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, libro terzo, Op. 12: Ciaccona | Tarquinio Merula, Jordi Savall | C Major | 2 | 8B | 93 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM |