On August 9, 2018, the song "Was machst Du mit dem Knie, lieber Hans" was released by Brigitte Mira. The duration of Was machst Du mit dem Knie, lieber Hans is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Was machst Du mit dem Knie, lieber Hans's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Stimmen singen aus dem Grammophon". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Based on our statistics, Was machst Du mit dem Knie, lieber Hans's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Was machst Du mit dem Knie, lieber Hans by Brigitte Mira having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich bin so leidenschaftlich | Heinz Rühmann | C Major | 4 | 8B | 181 BPM | ||
Da geh' ich ins Maxim | Johannes Heesters | D Major | 3 | 10B | 145 BPM | ||
Die Tänzerin Fanny Elßler: Act II - '' Dialog '', No. 2 | Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Elfie Mayerhofer, Bruno Hübner, Rudolf Christ, Fritz Raspber, Brigitte Mira, Josef Kapp | C Major | 3 | 8B | 121 BPM | ||
Tipitipitipso | Caterina Valente | E♭ Major | 6 | 5B | 106 BPM | ||
Die Tänzerin Fanny Elßler: Act I - '' Dialog '', No. 2 | Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Elfie Mayerhofer, Bruno Hübner, Rudolf Christ, Fritz Raspber, Brigitte Mira, Josef Kapp | A Major | 5 | 11B | 120 BPM | ||
Der Vetter aus Dingsda: Act III - " Ganz unverhofft, kommt oft das Glück " | Kölner Rundfunkorchester, Franz Marszalek, Herta Talmar, Franz Fehringer, Friedel Blasius, Günther Schwerkolt, Brigitte Mira, Harald Leipnitz, Harry Wüstenhagen | F Major | 2 | 7B | 121 BPM | ||
Sissi: Act II - " Mein Liebesleid, mein Liebesfreud " | Munich Radio Orchestra, Werner Schmidt-Boelcke, Willi Berling, Nora Minor, Franz Klarwein, Maria Stadler, Sonja Knittel, Gertrud Kückelmann, Brigitte Mira | D Major | 1 | 10B | 134 BPM | ||
Sissi: Act II - " Mädl, wenn mich dein Mund küßt " | Munich Radio Orchestra, Werner Schmidt-Boelcke, Willi Berling, Nora Minor, Franz Klarwein, Maria Stadler, Sonja Knittel, Gertrud Kückelmann, Brigitte Mira | B Major | 1 | 1B | 130 BPM | ||
Gräfin Mariza: "Schwesterlein, Brüderlien" | Emmerich Kálmán, RIAS-Unterhaltungsorchester, Hans Carste, Brigitte Mira, Peter Anders | F Major | 3 | 7B | 85 BPM | ||
Die Legende Von Babylon - Rivers of Babylon | Bruce Low | E Minor | 6 | 9A | 115 BPM |