"The Marriage of Figaro - Duettino-Sull'aria (Shawshank Redemption)" by Opera Divas was released on November 24, 2010. The duration of The Marriage of Figaro - Duettino-Sull'aria (Shawshank Redemption) is about 3 minutes long, at 3:08. Based on our data, "The Marriage of Figaro - Duettino-Sull'aria (Shawshank Redemption)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 34 in the song's album "Opera At The Movies". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The Marriage of Figaro - Duettino-Sull'aria (Shawshank Redemption) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Marriage of Figaro - Duettino-Sull'aria (Shawshank Redemption) by Opera Divas having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca | D Major | 2 | 10B | 132 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Nessun dorma! from Turandot | Plácido Domingo | D Major | 4 | 10B | 80 BPM | ||
Peer Gynt Suite No. 1, Op.46: I. Morning Mood | Edvard Grieg, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 97 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, New York Philharmonic, Leonard Bernstein | C Major | 0 | 8B | 84 BPM | ||
The Magic Flute, K. 620: Act II, No.14. Aria: "Der Hölle Rache kocht in meinem Herzen" | Rundfunkorchester des Südwestfunks Baden-Baden | F Major | 1 | 7B | 144 BPM | ||
Vissi D'arte | Opera Divas | A♭ Major | 1 | 4B | 79 BPM | ||
Porgy and Bess, Act I: "Summertime" | George Gershwin, Kathleen Battle, Orchestra of St. Luke's, André Previn | F♯ Minor | 1 | 11A | 79 BPM |