"Occhi io vissi di voi" by Claudia Sessa, Ruby Hughes, Jonas Nordberg, Mime Yamahiro-Brinkmann was released on March 3, 2017. The duration of Occhi io vissi di voi is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Occhi io vissi di voi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruby Hughes, Jonas Nordberg, Mime Yamahiro-Brinkmann's "Heroines of Love & Loss" album is number 8 out of 16. Occhi io vissi di voi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Occhi io vissi di voi by Claudia Sessa, Ruby Hughes, Jonas Nordberg, Mime Yamahiro-Brinkmann to be Lento (slowly) because the track has a tempo of 59 テンポ, a half-time of 30テンポ, and a double-time of 118 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach) | Christian Petzold, Mahan Esfahani | B♭ Minor | 0 | 3A | 89 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Offertorium: I. Domine Jesu Christe, Rex gloriae | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 1 | 5A | 91 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Psyche, Act I Scene 1: Symphony of rustick musick representing an eccho | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Brando dicho el Melo | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 6 | 8B | 70 BPM | ||
Atys, LWV 53, Prologue: Air pour la suite de Flore (Gavotte) | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM |