"Crucifixus" by Antonio Lotti, Michael McGlynn, Anúna was released on September 28, 2018. The duration of Crucifixus is about 3 minutes long, at 3:21. Based on our data, "Crucifixus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Transcendence". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Ireland. Crucifixus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Crucifixus by Antonio Lotti, Michael McGlynn, Anúna having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Mille Regretz" (Després) | The Hilliard Ensemble | B Major | 1 | 1B | 83 BPM | ||
Crux fidelis | João IV of Portugal, Oxford Camerata, Jeremy Summerly | F Major | 0 | 7B | 74 BPM | ||
Taaveti laulud (Psalms of David): Onnis on inimene (Happy is the man) | Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 125 BPM | ||
Cherubic Hymn, No. 7 | Dmitry Bortniansky, Estonian Philharmonic Chamber Choir, Paul Hillier | D Major | 1 | 10B | 86 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Agnus Dei | Imogen Holst, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Minor | 1 | 9A | 109 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM |