Heitor Villa-Lobos, Sergio Barcelos's 'A Maré Encheu' came out on January 1, 2010. With A Maré Encheu being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 14 in El Piano En Brasil by Sergio Barcelos. Based on our statistics, A Maré Encheu's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of A Maré Encheu by Heitor Villa-Lobos, Sergio Barcelos is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saudades das Selvas Brasilieras No. 2 | Heitor Villa-Lobos, Nelson Freire | A Major | 1 | 11B | 65 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": II. Allegretto | Ludwig van Beethoven, Jos Van Immerseel | C Major | 0 | 8B | 182 BPM | ||
Songs Without Words: No. 2, Andante cantabile | Alexei Stanchinsky, Olga Solovieva | D Minor | 0 | 7A | 128 BPM | ||
Song of the Black Swan | Heitor Villa-Lobos, Julian Lloyd Webber, John Lenehan | A Minor | 0 | 8A | 66 BPM | ||
Le Carnaval des Animaux (The Carnival of the Animals), R. 125, IX. Le coucou au fond des bois (The Cuckoo in the Depths of the Woods): I. Andante | Camille Saint-Saëns, Yuli Turovsky, I Musici de Montréal, David Owen Norris, Gregory Shaverdian, Marc-André Coallier | C Minor | 0 | 5A | 62 BPM | ||
String Quartet in B Flat Major, Op. 130: V. Cavatina ( Adagio molto espressivo) | Ludwig van Beethoven, Emerson String Quartet | E Major | 1 | 12B | 81 BPM | ||
Ma Mère l'Oye, M.60: 1. Pavane de la Belle au bois dormant | Maurice Ravel, Martha Argerich, Mikhail Pletnev | A Minor | 0 | 8A | 63 BPM | ||
6 Consolations, S. 172: No. 4 in D-Flat Major (Quasi Adagio) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 99 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Guitar Concerto: 2nd movement | Dale Kavanagh, Heitor Villa-Lobos | E Minor | 1 | 9A | 110 BPM |