Pyotr Ilyich Tchaikovsky, Sofia National Opera Orchestra, Boris Spassov's 'Schwanensee, Op. 20: Act III: Allegro moderato: Women's Variation' came out on January 1, 2002. The duration of Schwanensee, Op. 20: Act III: Allegro moderato: Women's Variation is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Schwanensee, Op. 20: Act III: Allegro moderato: Women's Variation's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 26 in Ballet Music - Burgmuller, Tchaikovsky, Minkus, Paulli, Hertel, & Asafiev by Boris Spassov. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Schwanensee, Op. 20: Act III: Allegro moderato: Women's Variation is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schwanensee, Op. 20: Act III: Allegro moderato: Women's Variation by Pyotr Ilyich Tchaikovsky, Sofia National Opera Orchestra, Boris Spassov is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Coppelia: Act III - Le priere | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 92 BPM | ||
Faust: Faust: Romance | Johann Strauss II, Bratislava City Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | F♯ Minor | 2 | 11A | 184 BPM | ||
The Sleeping Beauty, Op. 66 : (B) Variation d'Aurore | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | B♭ Major | 1 | 6B | 90 BPM | ||
The Sleeping Beauty, Op.66, TH.13 / Act 3: 28. Pas de deux: Variations I-II - Coda | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | E Major | 3 | 12B | 131 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16b, Pas de deux de Fanny Elssler. Girl's Solo | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 0 | 6B | 186 BPM | ||
Le carnaval des animaux, R. 125: V. L'Eléphant | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E Major | 0 | 12B | 60 BPM | ||
Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
Ruy Blas, Op. 95: Overture | Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra | C Minor | 2 | 5A | 134 BPM |