On January 1, 1991, the song "Der Jasager: Act I Scene 4: Ich muss etwas sagen (Knabe, Lehrer)" was released by Kurt Weill, Tobias Schmeisser, Hilke Helling, Ulrich Schutte, Thomas Brautigam, Thomas Fischer, Michael Knoppel, Linda Mabry, Klemens Koerner, Fredonia Chamber Singers, Dortmund University Chamber Choir, New York University, wind players, Westphalian Symphony Orchestra, Willi Gundlach. The duration of Der Jasager: Act I Scene 4: Ich muss etwas sagen (Knabe, Lehrer) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Der Jasager: Act I Scene 4: Ich muss etwas sagen (Knabe, Lehrer)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill, K.: Jasager (Der) [Opera] by Kurt Weill, Willi Gundlach. The song's track number on the album is #14 out of 22 tracks. Based on our data, United States was the country where this track was produced or recorded. Der Jasager: Act I Scene 4: Ich muss etwas sagen (Knabe, Lehrer) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Der Jasager: Act I Scene 4: Ich muss etwas sagen (Knabe, Lehrer) by Kurt Weill, Tobias Schmeisser, Hilke Helling, Ulrich Schutte, Thomas Brautigam, Thomas Fischer, Michael Knoppel, Linda Mabry, Klemens Koerner, Fredonia Chamber Singers, Dortmund University Chamber Choir, New York University, wind players, Westphalian Symphony Orchestra, Willi Gundlach has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Der Jasager: Act I Scene 4: Ich muss etwas sagen (Knabe, Lehrer) being at 69 テンポ, the half-time would be 34 テンポ with a double-time of 138 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When I Am Laid In Earth (Dido's Lament) | Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Minor | 0 | 11A | 72 BPM | ||
Aufstieg und Fall der Stadt Mahagonny: Act I: Halloh, wir mussen weiter! (Fatty, Moses, Begbick) | Kurt Weill, Thomas Lehrberger, Klaus Hirte, Anny Schlemm, Anja Silja, Wolfgang Neumann, Frederic Mayer, Paul Wolfrum, Hans Franzen, Cologne Pro Musica Vocal Ensemble, Cologne Radio Orchestra, Jan Latham-Koenig | A Major | 1 | 11B | 140 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
The Salley Gardens | Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey | F♯ Major | 1 | 2B | 68 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Nocturne No. 2 in E-Flat Major, Op. 9, No. 2 (Arr. R. Pontinen and M. Frost) | Frédéric Chopin, Martin Fröst, Roland Pöntinen | D Major | 2 | 10B | 98 BPM | ||
Amarcord - Suite: 2. La Fogaraccia | Nino Rota, Filarmonica della Scala, Riccardo Chailly | D Major | 6 | 10B | 132 BPM | ||
Die Dreigroschenoper: Akt III, Dreigroschen-Finale ("Verfolgt das Unrecht nicht zu sehr") | Kurt Weill, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg | C Major | 1 | 8B | 151 BPM | ||
Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM | ||
Die Seeräuber-Jenny | Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera | D♭ Major | 2 | 3B | 168 BPM |