"Humoresques, Op. 101: No. 7, Poco Lento E Grazioso (G♭ Major) - Welte-Mignon 1324" by Antonín Dvořák, Peter Phillips, Herbert Fryer was released on May 3, 2023. The duration of Humoresques, Op. 101: No. 7, Poco Lento E Grazioso (G♭ Major) - Welte-Mignon 1324 is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Humoresques, Op. 101: No. 7, Poco Lento E Grazioso (G♭ Major) - Welte-Mignon 1324's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 7 in Autumn Leaves: Piano Essentials from the Golden Age by Peter Phillips, Rudolph Reuter, Cécile Chaminade, Charles Gounod, Anatoly Lyadov, Manuel Ponce, Antonín Dvořák, Johannes Brahms, Franz Liszt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Humoresques, Op. 101: No. 7, Poco Lento E Grazioso (G♭ Major) - Welte-Mignon 1324 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Humoresques, Op. 101: No. 7, Poco Lento E Grazioso (G♭ Major) - Welte-Mignon 1324 by Antonín Dvořák, Peter Phillips, Herbert Fryer is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM |