"Sadko: Sadko: Opera in 7 Scenes, No. 4 "Gorod kamennyi, gorodam vsem mat?" [Venetian Guest]" by Nikolai Rimsky-Korsakov, Mariusz Kwiecien, Łukasz Borowicz, Polish Radio Symphony Orchestra was released on December 22, 2011. With this song being about 5 minutes long, at 4:50, "Sadko: Sadko: Opera in 7 Scenes, No. 4 "Gorod kamennyi, gorodam vsem mat?" [Venetian Guest]" by Nikolai Rimsky-Korsakov, Mariusz Kwiecien, Łukasz Borowicz, Polish Radio Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Slowianscy bohaterowie". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Sadko: Sadko: Opera in 7 Scenes, No. 4 "Gorod kamennyi, gorodam vsem mat?" [Venetian Guest]'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sadko: Sadko: Opera in 7 Scenes, No. 4 "Gorod kamennyi, gorodam vsem mat?" [Venetian Guest] by Nikolai Rimsky-Korsakov, Mariusz Kwiecien, Łukasz Borowicz, Polish Radio Symphony Orchestra having a テンポ of 158 with a half-time of 79 テンポ and a double-time of 316 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
The Comedians - Suite, Op.26: Waltz | Dmitry Kabalevsky, Armenian Philharmonic Orchestra, Loris Tjeknavorian | D♭ Major | 1 | 3B | 163 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Vivaldi: La stravaganza, Violin Concerto in E Minor, Op. 4 No. 2, RV 279: I. Allegro | Antonio Vivaldi, Europa Galante, Fabio Biondi | E♭ Minor | 3 | 2A | 109 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Violin Concerto No. 3: III. Vivo | Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz | F♯ Major | 0 | 2B | 71 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |