"Orgelsymfoni nr. 5 i F, Op. 42, nr. 1; V Allegro ”Toccata”" by Charles-Marie Widor, Sven Verner Olsen was released on July 29, 2015. Orgelsymfoni nr. 5 i F, Op. 42, nr. 1; V Allegro ”Toccata” is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. This song is part of Widor in Valby - Celebrating 125 Years of Cavaillé-Coll in Denmark by Charles-Marie Widor, Sven Verner Olsen. The song's track number on the album is #10 out of 10 tracks. In terms of popularity, Orgelsymfoni nr. 5 i F, Op. 42, nr. 1; V Allegro ”Toccata” is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Orgelsymfoni nr. 5 i F, Op. 42, nr. 1; V Allegro ”Toccata” by Charles-Marie Widor, Sven Verner Olsen has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Orgelsymfoni nr. 5 i F, Op. 42, nr. 1; V Allegro ”Toccata” being at 108 テンポ, the half-time would be 54 テンポ with a double-time of 216 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slow Minuet in A | Robin Milford, Andrew Seivewright | A Major | 0 | 11B | 78 BPM | ||
Oboe Concerto in D Minor: Adagio | Alessandro Marcello, Janos Sebestyen | C Minor | 0 | 5A | 68 BPM | ||
Suite gothique, Op. 25: I. Introduction - Choral | Léon Boëllmann, Gerard Brooks | B♭ Major | 1 | 6B | 110 BPM | ||
Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Ludger Remy | D♭ Major | 2 | 3B | 107 BPM | ||
Digital Detox | AKIRA HONDA | D♭ Minor | 1 | 12A | 47 BPM | ||
Organ Improvisation I | Matthew Martin | B♭ Minor | 0 | 3A | 72 BPM | ||
Variationen für Orgel Solo über "Die Blümelein, sie schlafen": No. 6, Quasi Marcia | Alexander Därr | F Major | 1 | 7B | 78 BPM | ||
Zadok the Priest, HWV 258 (Arr. Mark Gaal for Brass Band) - Live | George Frideric Handel, phil Blech Wien, Olivier Latry, Anton Mittermayr | D Major | 1 | 10B | 97 BPM | ||
Trio-Sonate In C Major, BWV 529: I. Allegro | Ton Koopman | C Major | 3 | 8B | 66 BPM | ||
Emily for Organ | Bill Evans, David Schollmeyer | E Minor | 0 | 9A | 79 BPM |