Emilio de' Cavalieri, Gyula Orendt, Akademie für Alte Musik Berlin, René Jacobs's 'Rappresentatione di anima et di corpo, Atto II Scena 2: "La nostra vita in terra" (Consiglio)' came out on February 23, 2015. With Rappresentatione di anima et di corpo, Atto II Scena 2: "La nostra vita in terra" (Consiglio) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 29 in Cavalieri: Rappresentatione di anima et di corpo by Emilio de' Cavalieri, René Jacobs, Marie-Claude Chappuis, Johannes Weisser, Akademie für Alte Musik Berlin, Chor der Deutschen Staatsoper Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Rappresentatione di anima et di corpo, Atto II Scena 2: "La nostra vita in terra" (Consiglio) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rappresentatione di anima et di corpo, Atto II Scena 2: "La nostra vita in terra" (Consiglio) by Emilio de' Cavalieri, Gyula Orendt, Akademie für Alte Musik Berlin, René Jacobs is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rappresentatione di anima et di corpo, Atto III Scena 1: "Salite pur al Cielo" (L'Intelletto) | Emilio de' Cavalieri, Mark Milhofer, Gyula Orendt, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René Jacobs | G Major | 2 | 9B | 137 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Mouton: Salva Nos, Domine | The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 73 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Lamentationes Jeremiae Prophetae, Tertia die: Responso tertia. Sepulto Domino | Emilio de' Cavalieri, Profeti Della Quinta | F♯ Major | 1 | 2B | 109 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Litanies de la Vierge, H. 83: VII. Rosa mystica | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Kaori Uemura, Anne Marie Lasla | A♭ Major | 1 | 4B | 181 BPM | ||
Rappresentatione di anima et di corpo, Atto II: Sinfonia | Emilio de' Cavalieri, Akademie für Alte Musik Berlin, René Jacobs | G Major | 0 | 9B | 72 BPM | ||
Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 | The Tallis Scholars, Peter Phillips | B Major | 3 | 1B | 84 BPM |