Jean-Baptiste Loeillet, Ensemble Barocco Sans Souci made "Sonata in C Major: II. Allegro (Arr. For oboe and organ)" available on June 4, 2013. The duration of Sonata in C Major: II. Allegro (Arr. For oboe and organ) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Sonata in C Major: II. Allegro (Arr. For oboe and organ)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Sonatas for Oboe & Organ". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Italy. In terms of popularity, Sonata in C Major: II. Allegro (Arr. For oboe and organ) is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Sonata in C Major: II. Allegro (Arr. For oboe and organ) by Jean-Baptiste Loeillet, Ensemble Barocco Sans Souci having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Nо. 3 in fa minore (La morte d'Abel): II. Larghetto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Keyboard Suite in E Minor: V. Gigue | Jean-Baptiste Loeillet, Piers Lane | D Major | 0 | 10B | 77 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: IV. Vivace | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D Minor | 2 | 7A | 82 BPM | ||
Scanderberg: Premier & second airs | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | B♭ Minor | 3 | 3A | 78 BPM | ||
Symphony No. 2 in B-Flat Major, Wq. 182: II. Poco adagio | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | E Major | 3 | 12B | 128 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
Pyrrhus, Acte III Scène 1: Ritournelle | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Quatre duos pour harpe de verre et luth: III. Adagio en mi mineur | Jean-Baptiste Loeillet, Ingeborg Emge, Pierre Gross | G Major | 1 | 9B | 67 BPM |