Otto Nicolai, Staatskapelle Berlin, Bernhard Klee's 'Die lustigen Weiber von Windsor: Akt II: "Bestürmen denn die läst'gen Freier"' came out on January 1, 1978. The duration of Die lustigen Weiber von Windsor: Akt II: "Bestürmen denn die läst'gen Freier" is about 3 minutes long, at 3:10. Based on our data, "Die lustigen Weiber von Windsor: Akt II: "Bestürmen denn die läst'gen Freier"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "Nicolai: Die lustigen Weiber von Windsor". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Die lustigen Weiber von Windsor: Akt II: "Bestürmen denn die läst'gen Freier"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die lustigen Weiber von Windsor: Akt II: "Bestürmen denn die läst'gen Freier" by Otto Nicolai, Staatskapelle Berlin, Bernhard Klee having a テンポ of 122 with a half-time of 61 テンポ and a double-time of 244 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa di Gloria: Qui tollis peccata mundi | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
Symphony No.1 in C Minor, Op.68: Un poco Allegretto | Hamburg Symphony Orchestra | C Major | 2 | 8B | 91 BPM | ||
Cherubini: Medea, Act 1: "O bella Glauce" (Chorus, Glauce) | Luigi Cherubini, Coro del Teatro alla Scala di Milano, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | D Major | 2 | 10B | 116 BPM | ||
La traviata, Act I: Overture: La Traviata, Act III: Prelude | Giuseppe Verdi, Budapest Philharmonic Orchestra, Karolos Trikolidis | F Major | 1 | 7B | 75 BPM | ||
Auf dem Strom, Op. post 119, D943 | Franz Schubert, Jung Eun Oh, Richard King, Orli Shaham | E Major | 2 | 12B | 86 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Jonas Kaufmann, Magdalena Kozená | F♯ Minor | 0 | 11A | 83 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
To a Wild Rose | Andre Kostelanetz & His Orchestra, Andre Kostelanetz | A Major | 1 | 11B | 137 BPM |