"Les Indes galantes, Prologue, Scène 2: Entrée des 4 nations" by Jean-Philippe Rameau, Les Arts Florissants, William Christie had its release date on October 14, 1991. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Les Indes galantes, Prologue, Scène 2: Entrée des 4 nations's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #3. The popularity of Les Indes galantes, Prologue, Scène 2: Entrée des 4 nations is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Indes galantes, Prologue, Scène 2: Entrée des 4 nations by Jean-Philippe Rameau, Les Arts Florissants, William Christie having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major: III. Allegrissimo | Domenico Scarlatti, Margret Köll/Europa Galante/Fabio Biondi, Europa Galante | F♯ Major | 3 | 2B | 77 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: IV. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | F Major | 3 | 7B | 112 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Concerto XVI In Fa Maggiore, Per Due Oboi, Archi E Continuo: III. Andante Ma Non Presto | Alessandro Marcello, Venice Baroque Orchestra | E Major | 1 | 12B | 112 BPM | ||
Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos] | William Christie | F Minor | 1 | 4A | 70 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": II. Largo Andante | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 71 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
Dido and Aeneas / Act I: The Triumphing Dance | Henry Purcell, The English Concert, Trevor Pinnock | B Major | 2 | 1B | 137 BPM |