Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer's 'Fremdenführer-Gavotte aus der Operette "Der Fremdenführer"' came out on December 4, 2017. With this song being about 5 minutes long, at 5:08, "Fremdenführer-Gavotte aus der Operette "Der Fremdenführer"" by Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carl Michael Ziehrer, Original C.M.Ziehrer Orchester's "Heut' ist heut'" album is number 4 out of 16. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Fremdenführer-Gavotte aus der Operette "Der Fremdenführer" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fremdenführer-Gavotte aus der Operette "Der Fremdenführer" by Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Offenbach: La vie parisienne, Act 1: Ouverture - Chœur. "Nous sommes employés de la ligne de l'Ouest" - Dialogue. "À quelle heure arrive le train de Trouville ?" (Chœur, Bobinet, Gardefeu, L'Employé) | Jacques Offenbach, Michel Plasson, André Batisse, Choeur Du Capitole De Toulouse, Michel Sénéchal, Michel Trempont, Orchestre Du Capitole De Toulouse | G Major | 3 | 9B | 111 BPM | ||
Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
Leichte Kavallerie: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | A Major | 3 | 11B | 126 BPM | ||
La jolie fille de Gand: Scene 4 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 134 BPM | ||
Tritsch-Tratsch-Polka | Johann Strauss Orchester | A Major | 4 | 11B | 159 BPM | ||
Amor auf dem Balle, OP. 228: Bravour-Polka | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | B♭ Major | 1 | 6B | 134 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 1 | 12B | 89 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | B Major | 3 | 1B | 98 BPM |