"Departure (Lullaby) – The Quality of Mercy (From “The Leftovers” – Season 1 and 2)" by Angèle Dubeau, La Pietà was released on October 6, 2017. With this song being about 5 minutes long, at 4:42, "Departure (Lullaby) – The Quality of Mercy (From “The Leftovers” – Season 1 and 2)" by Angèle Dubeau, La Pietà is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Portrait: Max Richter". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Canada. In terms of popularity, Departure (Lullaby) – The Quality of Mercy (From “The Leftovers” – Season 1 and 2) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Departure (Lullaby) – The Quality of Mercy (From “The Leftovers” – Season 1 and 2) by Angèle Dubeau, La Pietà having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Driving Home | Roberto Cacciapaglia, Royal Philharmonic Orchestra, Michele Fedrigotti | C Minor | 1 | 5A | 77 BPM | ||
I Giorni (Live) | Ludovico Einaudi, Angèle Dubeau, La Pietà | D Major | 1 | 10B | 84 BPM | ||
Requiem: 5. Pie Jesu | The Ayoub Sisters, Royal Philharmonic Orchestra, Mark Messenger | A Major | 1 | 11B | 87 BPM | ||
And So Forth | RIOPY | A Minor | 3 | 8A | 102 BPM | ||
Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | ||
Cold Wind Var. 1 - Day 1 | Ludovico Einaudi, Federico Mecozzi, Redi Hasa | F Major | 1 | 7B | 80 BPM | ||
Woman – She Was Waiting for Her Mother at the Station in Torino and You Know I Love You Baby but It's Getting Too Heavy to Laugh | Shawn Phillips, Angèle Dubeau | D Minor | 3 | 7A | 115 BPM | ||
Love Theme (From "Cinema Paradiso") | Ennio Morricone, Angèle Dubeau, La Pietà | B♭ Major | 1 | 6B | 105 BPM | ||
Spirit Garden | Gavin Luke | B Minor | 1 | 10A | 115 BPM | ||
Musica Universalis | Alex Baranowski, Angèle Dubeau, La Pietà | G Major | 2 | 9B | 77 BPM |