On October 15, 2023, the song "Concert núm. 10: Rondó - Arr. for Clarinet by Leonardo Savina" was released by Carl Bärmann, Elvira Querol. With Concert núm. 10: Rondó - Arr. for Clarinet by Leonardo Savina being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carl Bärmann, Elvira Querol's "MONÒLEGS III (Vol. 1) 16 Grans Estudis de Concert de l’op. 64 [Arr. for Clarinet by Leonardo Savina]" album is number 5 out of 16. On top of that, Spain appears to be the country where this track was created. Concert núm. 10: Rondó - Arr. for Clarinet by Leonardo Savina is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Concert núm. 10: Rondó - Arr. for Clarinet by Leonardo Savina by Carl Bärmann, Elvira Querol to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Op. 120 No. 2 in E-flat Major for Clarinet and Piano: I. Allegro amabile | Johannes Brahms, Jasmine Choi | E♭ Major | 0 | 5B | 64 BPM | ||
Consolations, S. 172 (Excerpts Arr. P. Dörpinghaus for Chamber Ensemble): I. Andante con moto | Franz Liszt, Salaputia Brass | D♭ Major | 0 | 3B | 71 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
シシリエンヌ | Gabriel Fauré, 上野星矢 | B♭ Minor | 2 | 3A | 82 BPM | ||
Bassoon Sonata in F Minor, TWV 41:f1 (Arr. D.V. Marx for Bassoon & Guitar): III. Andante | Georg Philipp Telemann, Rainer Seidel, Daniel Valentin Marx | B♭ Major | 0 | 6B | 104 BPM | ||
Sicilienne pour flûte et piano, Op. 78 | Gabriel Fauré, Juliette Hurel, Hélène Couvert | B Major | 0 | 1B | 67 BPM | ||
Goldberg Variations, BWV 988 (arr. for percussion ensemble): Variatio 29. a 1 o vero 2 Clav. | Anonymous, Johann Sebastian Bach, Jean Geoffroy, Ensemble TaCTuS | G Major | 2 | 9B | 86 BPM | ||
Mexican Hat Dance | Traditional, Ludmila Peterková, Irina Kondratenko | E♭ Major | 4 | 5B | 112 BPM | ||
Promenade "Walking the Dog" - Version for Saxophone and Piano by Andreas Mader | Joseph Moog, Andreas Mader | C Major | 1 | 8B | 127 BPM | ||
Sinfonia No. 5 in E-Flat Major, BWV 791 | Johann Sebastian Bach, Martin Fröst | D Minor | 0 | 7A | 77 BPM |