Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia made "Sylvia: Act II: Danse des Ethiopiens" available on January 17, 1996. With Sylvia: Act II: Danse des Ethiopiens being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 33 in Delibes: Sylvia (Complete Ballet) / Saint-Saens: Henry Viii by Léo Delibes, Razumovsky Symphony Orchestra. In terms of popularity, Sylvia: Act II: Danse des Ethiopiens is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sylvia: Act II: Danse des Ethiopiens by Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 96 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Symphony in C Minor, EG 119: II. Adagio espressivo | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Major | 1 | 12B | 78 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
8 Slavonic Dances, Op.46: No.8 in G minor (Presto) | Antonín Dvořák, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 2 | 9B | 131 BPM | ||
The Golden Age: III. Polka | Dmitri Shostakovich, Boston Pops Orchestra, John Williams | F Major | 1 | 7B | 82 BPM | ||
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
Les Sylphides: 1. Prélude | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 178 BPM |