"Symphony No. 14 in G minor, Op. 135: VIII. Reply of the Zaporozhye Cossacks to the Sultan of Constantinople" by Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal, Elizabeth Holleque, Nikita Storojev was released on August 1, 1988. The duration of Symphony No. 14 in G minor, Op. 135: VIII. Reply of the Zaporozhye Cossacks to the Sultan of Constantinople is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Symphony No. 14 in G minor, Op. 135: VIII. Reply of the Zaporozhye Cossacks to the Sultan of Constantinople's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Shostakovich: Symphony No. 14". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Symphony No. 14 in G minor, Op. 135: VIII. Reply of the Zaporozhye Cossacks to the Sultan of Constantinople is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 14 in G minor, Op. 135: VIII. Reply of the Zaporozhye Cossacks to the Sultan of Constantinople by Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal, Elizabeth Holleque, Nikita Storojev having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Piano Trio No. 2 in E Minor, Op. 67: IV. Allegretto | Dmitri Shostakovich, Yo-Yo Ma, Emanuel Ax, Isaac Stern | A Major | 1 | 11B | 161 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
Symphony No. 14 in G Minor, Op. 135: III. Loreley | Dmitri Shostakovich, Kristine Opolais, Alexander Tsymbalyuk, Boston Symphony Orchestra, Andris Nelsons | B♭ Major | 2 | 6B | 73 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM |