Erich Wolfgang Korngold, RTE Concert Orchestra, John Wilson, Andrew Haveron's 'Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace' came out on March 27, 2020. Since Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Erich Wolfgang Korngold, John Wilson, Andrew Haveron's "Korngold: Violin Concerto & String Sextet" album is number 3 out of 7. Based on our statistics, Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace by Erich Wolfgang Korngold, RTE Concert Orchestra, John Wilson, Andrew Haveron to be Allegro (fast, quick, and bright) because the track has a tempo of 146 テンポ, a half-time of 73テンポ, and a double-time of 292 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 2 | 9B | 115 BPM | ||
Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 2 | 8A | 145 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 4 | 8B | 151 BPM | ||
Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 142 BPM | ||
Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM |