Will Bradley made "Celery Stalks At Midnight" available on February 2, 1993. The duration of Celery Stalks At Midnight is about 3 minutes long, at 3:15. Based on our data, "Celery Stalks At Midnight" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 66 in the song's album "Swing Time! The Fabulous Big Band Era 1925 - 1955". In this album, this song's track order is #5. Based on our statistics, Celery Stalks At Midnight's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Celery Stalks At Midnight by Will Bradley having a テンポ of 147 with a half-time of 74 テンポ and a double-time of 294 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
What's the Good Word Mr. Bluebird | Harry Roy and His Orchestra | F♯ Major | 4 | 2B | 100 BPM | ||
A Blues Serenade - 78rpm Version | Glenn Miller & His Orchestra; Vocal by Smith Ballew | A♭ Major | 1 | 4B | 82 BPM | ||
Rhythm on the River | Wingy Manone | F Major | 4 | 7B | 177 BPM | ||
We'll Meet Again | Peggy Lee With The Benny Goodman Orchestra | A Minor | 2 | 8A | 132 BPM | ||
Skylark (with The Gene Krupa Orchestra feat. Anita O'Day) | Roy Eldridge, Anita O'Day, Gene Krupa Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Caldonia | Woody Herman & His Orchestra | A♭ Major | 6 | 4B | 134 BPM | ||
True Confession | Larry Clinton | B♭ Minor | 1 | 3A | 89 BPM | ||
Lavender Coffin | Lionel Hampton | C Major | 4 | 8B | 67 BPM | ||
Somebody Stole My Gal | Ted Weems | E Major | 4 | 12B | 112 BPM | ||
Something's Coming | Vic Damone | E♭ Major | 4 | 5B | 95 BPM |