"18 Liebeslieder Waltzes, Op. 52 (Version for Choir & Orchestra): No. 9, Am Donaustrande" by Johannes Brahms, Eric Ericson Chamber Choir, Gävle Symphony Orchestra, Jaime Martin was released on November 10, 2017. The duration of 18 Liebeslieder Waltzes, Op. 52 (Version for Choir & Orchestra): No. 9, Am Donaustrande is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. 18 Liebeslieder Waltzes, Op. 52 (Version for Choir & Orchestra): No. 9, Am Donaustrande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 13 in Brahms: Works for Choir & Orchestra by Johannes Brahms, Eric Ericson Chamber Choir, Gävle Symphony Orchestra, Jaime Martin. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. In terms of popularity, 18 Liebeslieder Waltzes, Op. 52 (Version for Choir & Orchestra): No. 9, Am Donaustrande is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 18 Liebeslieder Waltzes, Op. 52 (Version for Choir & Orchestra): No. 9, Am Donaustrande by Johannes Brahms, Eric Ericson Chamber Choir, Gävle Symphony Orchestra, Jaime Martin is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Intermezzo, Op. 119/1 | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Major | 0 | 10B | 65 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM |