"Adagio Molto - Fa ch' ognuno tralasci e balli e canti...*" by Antonio Vivaldi, Gidon Kremer, Kremerata Baltica was released on 2000. The duration of Adagio Molto - Fa ch' ognuno tralasci e balli e canti...* is about 3 minutes long, at 3:06. Based on our data, "Adagio Molto - Fa ch' ognuno tralasci e balli e canti...*" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 16 in Eight Seasons: Astor Piazzolla - Four Seasons of Buenos Aires; Vivaldi - Four Seasons by Gidon Kremer, Kremerata Baltica. Adagio Molto - Fa ch' ognuno tralasci e balli e canti...* is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio Molto - Fa ch' ognuno tralasci e balli e canti...* by Antonio Vivaldi, Gidon Kremer, Kremerata Baltica is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto In D Major, Op. 10, No. 3, RV 428, "Il Gardellino": II. Cantabile | Jiří Válek, Capella Istropolitana, Antonio Vivaldi | D Major | 0 | 10B | 78 BPM | ||
Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): II. Andante | Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | B Minor | 1 | 10A | 74 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Concerto 1 in D Minor, Op. 7: I. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 92 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM |