Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius made "L'Horloge de Flore: 21h - Silene noctiflore" available on January 1, 2010. The duration of L'Horloge de Flore: 21h - Silene noctiflore is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. L'Horloge de Flore: 21h - Silene noctiflore's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 17 in Bonjour Paris by Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. L'Horloge de Flore: 21h - Silene noctiflore is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of L'Horloge de Flore: 21h - Silene noctiflore by Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Variety Orchestra No. 1: Waltz No. 2 (Arr. Fontaine for Cello, Piano & 4 Saxophones) | Dmitri Shostakovich, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Poem for Oboe & Piano | Marina Dranishnikova, David Walter, Magdalena Duś | B Major | 2 | 1B | 145 BPM | ||
Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM | ||
String Quartet No. 1 in G Minor: V. I. Allegro moderato | Ralph Vaughan Williams, Verdi Quartett | G Major | 1 | 9B | 82 BPM | ||
Ave Maria (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Piano Concerto in F sharp Minor, Op. 10: II. Adagio ma non troppo | Hans Bronsart von Schellendorf, Paul Wee, Swedish Chamber Orchestra, Michael Collins | F♯ Major | 0 | 2B | 79 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM |