Johann Strauss I, Slovak State Philharmonic Orchestra, Kosice, Mika Eichenholz's 'Tausendsapperment-Walzer, Op. 61' came out on July 11, 1994. Since Tausendsapperment-Walzer, Op. 61 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Strauss I, J.: Orchestral Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. The popularity of Tausendsapperment-Walzer, Op. 61 is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tausendsapperment-Walzer, Op. 61 by Johann Strauss I, Slovak State Philharmonic Orchestra, Kosice, Mika Eichenholz having a テンポ of 177 with a half-time of 88 テンポ and a double-time of 354 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herz und Mund und Tat und Leben, Cantata BWV 147 / Pt. 2: 10. "Jesus bleibet meine Freude" | Johann Sebastian Bach, Münchener Bach-Chor, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter | G Major | 2 | 9B | 106 BPM | ||
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Moment musical in F Minor, Op. 94, No. 3 | Franz Schubert, Philippe Entremont | A♭ Major | 1 | 4B | 100 BPM | ||
Walzer (a la Paganini), Op. 11 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 164 BPM | ||
Suite for Variety Orchestra: Waltz 2 (Arr. for 12 Cellos) | Dmitri Shostakovich, Die 12 Cellisten der Berliner Philharmoniker | C Minor | 1 | 5A | 92 BPM | ||
Wilhelm Tell Galopp, Op. 29b | Johann Strauss I, Riccardo Muti, Wiener Philharmoniker | E Major | 6 | 12B | 149 BPM | ||
Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" | George Frideric Handel, Andrew Davis, Royal Choral Society, London Philharmonic Orchestra | B Major | 4 | 1B | 129 BPM | ||
"Pomp and Circumstance," Op.39: March, No.4 in G | Edward Elgar, BBC Concert Orchestra, Barry Wordsworth | G Major | 3 | 9B | 114 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM |