"Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1. Hymn to the Dawn" by Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison was released on January 8, 2013. The duration of Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1. Hymn to the Dawn is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1. Hymn to the Dawn's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Etherea Vocal Ensemble, Derek Greten-Harrison, Noah Horn's "Hymn to the Dawn" album is number 1 out of 27. On top of that, United States appears to be the country where this track was created. Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1. Hymn to the Dawn is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1. Hymn to the Dawn by Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Wellensis: IV. Agnus Dei | John Tavener, Wells Cathedral Choir, Matthew Owens | G Minor | 0 | 6A | 0 BPM | ||
Matthäuspassion, BWV 244: Kommt, ihr Tochter, helft mir klagen (Chorus I and II) | Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | E Minor | 1 | 9A | 87 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
Vespers, Op. 37: Come, Let Us Worship | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F Major | 0 | 7B | 111 BPM | ||
Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium | Claudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London Consort | F Major | 2 | 7B | 76 BPM | ||
Materna Requiem: 5. Agnus Dei | Rebecca Dale, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E♭ Minor | 3 | 2A | 81 BPM | ||
Concerto for Choir: IV. Complete this Work Which I Began in Hope and with Your Name | Alfred Schnittke, Elena Dof-Donskaya, Valery Polyansky, USSR Ministry of Culture Chamber Choir | G Major | 1 | 9B | 92 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM |