Eberhard Wächter, Dietrich Fischer-Dieskau, Hans Hotter, Elisabeth Schwarzkopf, Nicolai Gedda, Philharmonia Orchestra, Wolfgang Sawallisch made "Capriccio, Op. 85, TrV 279, Scène 3: "Da ist sie! Ich eile, sie zu begrüssen! ... Melpomenens Priesterin, die göttliche Clairon!" (Count, Olivier, La Roche, Countess, Flamand)" available on June 1, 2016. The duration of Capriccio, Op. 85, TrV 279, Scène 3: "Da ist sie! Ich eile, sie zu begrüssen! ... Melpomenens Priesterin, die göttliche Clairon!" (Count, Olivier, La Roche, Countess, Flamand) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Capriccio, Op. 85, TrV 279, Scène 3: "Da ist sie! Ich eile, sie zu begrüssen! ... Melpomenens Priesterin, die göttliche Clairon!" (Count, Olivier, La Roche, Countess, Flamand)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 248 in the song's album "Richard Strauss: Les grands opéras - La discothèque idéale de Diapason, Vol. 7". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Based on our statistics, Capriccio, Op. 85, TrV 279, Scène 3: "Da ist sie! Ich eile, sie zu begrüssen! ... Melpomenens Priesterin, die göttliche Clairon!" (Count, Olivier, La Roche, Countess, Flamand)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Capriccio, Op. 85, TrV 279, Scène 3: "Da ist sie! Ich eile, sie zu begrüssen! ... Melpomenens Priesterin, die göttliche Clairon!" (Count, Olivier, La Roche, Countess, Flamand) by Eberhard Wächter, Dietrich Fischer-Dieskau, Hans Hotter, Elisabeth Schwarzkopf, Nicolai Gedda, Philharmonia Orchestra, Wolfgang Sawallisch having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114 / Act 2: Rusalko, znas mne, znas? | Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 80 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2 Scene 2: No. 15, Terzetto, "Ah! taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | A Major | 1 | 11B | 107 BPM | ||
Turandot / Act 1: Gira la cote! (Coro, Calaf, Liù) | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Minor | 4 | 10A | 137 BPM | ||
Carmen, Act III, No.20 Trio: Voyons que j'essaie à mon tour (Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 0 | 8B | 125 BPM | ||
Salome, Op. 54 / Scene 2: Laßt den Propheten herauskommen | Richard Strauss, Cheryl Studer, Clemens Bieber, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 0 | 5A | 64 BPM | ||
Il Trovatore / Act 2: "Perigliarti ancor languente" | Giuseppe Verdi, Marilyn Horne, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | G Major | 4 | 9B | 69 BPM | ||
Die Fledermaus / Act 1: Ich höre Stimmen...Mein Herr, was dächten Sie von mir - Edit | Johann Strauss II, Hilde Gueden, Giuseppe Zampieri, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 73 BPM | ||
Tannhäuser, WWV 70 / Act III: "Ich hörte Harfenschlag" | Richard Wagner, Wolfgang Windgassen, Eberhard Wächter, Bayreuth Festival Orchestra, Wolfgang Sawallisch | E Minor | 3 | 9A | 104 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Ecco il birbo che t'ha offesa" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | F Major | 2 | 7B | 89 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Vive Dieu, mes amis (Nathanaël/Choeurs/Hermann/Lindorf/Luther/Nicklausse) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 77 BPM |