"Lohengrin: Act 3 Prelude and Lohengrin Bridal Chorus" by Bulgarian National Chorus, Sofia Philharmonic Orchestra was released on March 1, 2014. Since Lohengrin: Act 3 Prelude and Lohengrin Bridal Chorus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Magic of the Opera" album is number 30 out of 46. Lohengrin: Act 3 Prelude and Lohengrin Bridal Chorus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lohengrin: Act 3 Prelude and Lohengrin Bridal Chorus by Bulgarian National Chorus, Sofia Philharmonic Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Comte Ory / Act 2: "Dans ce séjour" | Gioachino Rossini, Stefania Bonfadelli, Marina de Liso, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
The Pirates of Penzance: Hold, Monsters! | Eric Roberts, Gareth Jones, Marilyn Hill Smith | G Major | 3 | 9B | 129 BPM | ||
Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Allan Clayton | D Major | 2 | 10B | 148 BPM | ||
Puts: The Hours, Act 1: "She Pauses at Its Threshold…" (Chorus, Clarissa, Man Under the Arch, Walter, Virginia) [Live] | Kevin Puts, Yannick Nézet-Séguin, John Holiday, Joyce DiDonato, Metropolitan Opera Chorus, Renée Fleming, Tony Stevenson, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Elektra, Op. 58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Il turco in Italia, Act I: No mia vita, mio tesoro (Critical Ed. Margaret Bent) | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
Messa di Gloria: Agnus Dei | Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen Budday | F Major | 2 | 7B | 131 BPM | ||
The Bartered Bride: ACT II, Mařenka Známť já jednu dívčinu | Bedřich Smetana, Dana Buresova, BBC Symphony Orchestra, Jiří Bělohlávek | A Major | 1 | 11B | 182 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
Aida: Act IV: Vedi? ... di morte l'angelo | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | D♭ Major | 0 | 3B | 73 BPM |