Nicholas Ludford, Choir of New College, Oxford, Edward Higginbottom made "Missa Benedicta et Venerabilis: IX. Agnus Dei" available on August 18, 2017. Since Missa Benedicta et Venerabilis: IX. Agnus Dei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Nicholas Ludford, Choir of New College, Oxford, Edward Higginbottom, Christopher Borrett's "Ludford: Missa Benedicta & Antiennes Votives" album is number 10 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Missa Benedicta et Venerabilis: IX. Agnus Dei is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Missa Benedicta et Venerabilis: IX. Agnus Dei by Nicholas Ludford, Choir of New College, Oxford, Edward Higginbottom to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hac clara die turma: VII. Flatu sacro plena | Nicholas Ludford, The Choir Of Westminster Abbey, James O'Donnell | F Major | 2 | 7B | 62 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Huc me sidereo | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75: Amen, and With Thy Spirit | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | C Major | 0 | 8B | 73 BPM | ||
Rejoyce Virgin (Voskresensky Monastery Chant) | S. Serafimovich, F. Stroganov, Ascention Church Choir (Maloe), Moscow | G Minor | 0 | 6A | 117 BPM | ||
Tallis: Salvator Mundi, Salva Nos I | The Tallis Scholars, Peter Phillips | E Major | 2 | 12B | 95 BPM | ||
Prima die Lectio prima: III. Quomodo sedet sola | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 89 BPM | ||
Gloria patri | Francesco Corteccia, Le Concert Spirituel, Herve Niquet | G Major | 1 | 9B | 79 BPM | ||
Hymnen, Op. 140: Nr. 2 Dextera Domini | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 78 BPM | ||
Qui es promesses | Guillaume de Machaut, James Bowman, Charles Brett, Early Music Consort Of London, David Munrow | B♭ Major | 2 | 6B | 131 BPM |