"13 Canons, Op. 113: No. 13. Einformig ist der Liebe Gram" by Johannes Brahms, Monteverdi Choir, female section, John Eliot Gardiner was released on January 1, 2009. The duration of 13 Canons, Op. 113: No. 13. Einformig ist der Liebe Gram is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. 13 Canons, Op. 113: No. 13. Einformig ist der Liebe Gram's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 10 in Brahms, J.: Symphony No. 3 by Johannes Brahms, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 13 Canons, Op. 113: No. 13. Einformig ist der Liebe Gram is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 13 Canons, Op. 113: No. 13. Einformig ist der Liebe Gram by Johannes Brahms, Monteverdi Choir, female section, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo: Ah! Crudel (Aria) | George Frideric Handel, Alan Curtis | F♯ Minor | 0 | 11A | 141 BPM | ||
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Dido and Aeneas, Z.626 - Arr. for cello and choir: Purcell: When I am laid in earth (Dido and Aeneas, Z.626 - Arr. for cello and choir) | Henry Purcell, Henri Demarquette, Sequenza 9.3, Catherine Simonpietri | C Major | 1 | 8B | 74 BPM | ||
Intermezzo, Op. 117, No. 1 in E-Flat Major - Duo-Art 0238 Br | Johannes Brahms, Mitja Nikisch, Peter Phillips | E♭ Major | 0 | 5B | 73 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | E♭ Major | 1 | 5B | 64 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Minor | 2 | 8A | 124 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM |