"Three Romances for Violin and Piano, Op. 22: I. Andante molto (Arr. for Trombone and Piano by Emily White)" by Clara Schumann, Emily White, Sam Haywood had its release date on June 21, 2024. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Clara Schumann: Three Romances for Violin and Piano, Op. 22: I. Andante molto (Arr. for Trombone and Piano by Emily White) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Three Romances for Violin and Piano, Op. 22: I. Andante molto (Arr. for Trombone and Piano by Emily White) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Three Romances for Violin and Piano, Op. 22: I. Andante molto (Arr. for Trombone and Piano by Emily White) by Clara Schumann, Emily White, Sam Haywood is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Four Seasons Winter Variation (After Violin Concerto in F Minor, Op. 8, No. 4, RV 297, III. Allegro-Lento) | Antonio Vivaldi, Martin Stadtfeld | F Minor | 1 | 4A | 117 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
Schumann, Clara: Piano Concerto No. 1 in A Minor, Op. 7: II. Romanze (Andante non troppo con grazia) | Clara Schumann, Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 100 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
3 Romances, Op. 22: 3. Leidenschaftlich schnell | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | G Major | 1 | 9B | 89 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM |