On May 15, 2021, the song "Johan Sebastian Bach : March in E-Flat Major, BWV Anhang 127: March in E-Flat Major, BWV Anhang 127" was released by Traditional, Christophe Miles. With Johan Sebastian Bach : March in E-Flat Major, BWV Anhang 127: March in E-Flat Major, BWV Anhang 127 being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 20 in Bach & Baroque Miniature Masterpieces by Traditional, Christophe Miles. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Johan Sebastian Bach : March in E-Flat Major, BWV Anhang 127: March in E-Flat Major, BWV Anhang 127 is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Johan Sebastian Bach : March in E-Flat Major, BWV Anhang 127: March in E-Flat Major, BWV Anhang 127 by Traditional, Christophe Miles is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria, CG 89a (Arr. for Cello, Organ & Harp) | Steven Houser, Stephen Hartman, Stefan Engels | F Major | 1 | 7B | 119 BPM | ||
O Gentle Light | Moscow Cathedral Choir | D Major | 1 | 10B | 85 BPM | ||
Requiem | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | ||
Requiem - Herbert Howells: III. Requiem Aeternam (I) | Dale Warland Singers | E Minor | 0 | 9A | 83 BPM | ||
Thou Dost Intercede for All, O Good One | The Choir of the Dormition Church of the Novodevichy Convent | A Major | 2 | 11B | 65 BPM | ||
Cor meum conturbatum est, IOL 58 | Orlande de Lassus, Pro Musica, Szabó Dénes | D Minor | 1 | 7A | 82 BPM | ||
Ye Banks And Braes | Strathclyde University Chamber Choir | A♭ Major | 2 | 4B | 79 BPM | ||
The Mercy of Peace (Excerpts) | The Russian State Symphony Cappella | B♭ Major | 1 | 6B | 62 BPM | ||
Antiphon "In Paradisum" et Psalmus 121 (122) | Traditional, Cistercian Monks of Stift Heiligenkreuz | B♭ Major | 0 | 6B | 81 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM |