"Diomedes: Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel)" by Gottfried Heinrich Stölzel, Christine Brewer, Paul Jacobs was released on September 4, 2015. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 16 in Divine Redeemer by Christine Brewer, Paul Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Diomedes: Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Diomedes: Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) by Gottfried Heinrich Stölzel, Christine Brewer, Paul Jacobs is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der für die Sünde der Welt gemarterte und sterbende Christus, Pt. 1: Mein Vater! schau, wie ich mich quäle | Gottfried Heinrich Stölzel, Florian Mehltretter, Klaus Mertens, Michaelstein Telemann Chamber Orchestra, Ludger Remy | E♭ Major | 0 | 5B | 98 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: IV. "Accende lumen sensibus" - Live | Gustav Mahler, Royal Concertgebouw Orchestra, Camilla Nylund, Christine Brewer, Maria Espada, Mihoko Fujimura, Robert Dean Smith, Stefan Kocán, Stephanie Blythe, Tommi Hakala, Mariss Jansons | A♭ Major | 1 | 4B | 117 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: III. "Infirma nostri corporis" - Live | Gustav Mahler, Royal Concertgebouw Orchestra, Camilla Nylund, Christine Brewer, Mihoko Fujimura, Robert Dean Smith, Stephanie Blythe, Tommi Hakala, Mariss Jansons | E♭ Major | 1 | 5B | 69 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: II. "Imple superna gratia" - Live | Gustav Mahler, Royal Concertgebouw Orchestra, Camilla Nylund, Christine Brewer, Mihoko Fujimura, Robert Dean Smith, Stephanie Blythe, Tommi Hakala, Mariss Jansons | A♭ Major | 1 | 4B | 117 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Sancta Mater | Andreas Scholl | D Major | 1 | 10B | 73 BPM | ||
Rusalka, Op. 114: Song to the Moon | Antonín Dvořák, Joshua Bell, Michael Stern | F♯ Major | 1 | 2B | 137 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Tenebrae, Nigel Short | C Major | 1 | 8B | 139 BPM |