On January 1, 1993, the song "Im weißen Rössl: Im Salzkammergut, da kann man fein lustig sein" was released by Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek. With Im weißen Rössl: Im Salzkammergut, da kann man fein lustig sein being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Antonia Fahberg, Franz Fehringer, Herta Talmar, Willi Hofmann, Renate Holm, Peter Alexander, Bernhard Wilfert, Chor, Grosses Operetten Orchester, Franz Marszalek's "Im Weißen Rössl - Saison in Salzburg - Hochzeitsnacht im Paradies" album is number 6 out of 32. On top of that, Germany appears to be the country where this track was created. The popularity of Im weißen Rössl: Im Salzkammergut, da kann man fein lustig sein is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Im weißen Rössl: Im Salzkammergut, da kann man fein lustig sein by Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek to be Vivace (lively and fast) because the track has a tempo of 164 テンポ, a half-time of 82テンポ, and a double-time of 328 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Vetter aus Dingsda: Ich bin nur ein armer Wandergesell' | Eduard Künneke, Franz Fehringer, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | C Major | 2 | 8B | 171 BPM | ||
Bayerischer Defiliermarsch | Original Münchner Blaskapelle/ Ltg.Bert Himmer | A♭ Major | 8 | 4B | 109 BPM | ||
Ein Indio-Junge aus Peru | Katja Ebstein | C Minor | 6 | 5A | 80 BPM | ||
Köhlerliesel | Maria & Margot Hellwig | C Major | 6 | 8B | 121 BPM | ||
Auf Wiedersehen, Joana | Roger Whittaker | B Major | 7 | 1B | 92 BPM | ||
Gasparone: "Auch ich war einst ein junger Mann" | Carl Millöcker, Grosses Operetten Orchester, Franz Marszalek, Willy Schneider, Willy Hofman, Sandor Konya, Herta Talmar, Rita Bartos | G Major | 2 | 9B | 115 BPM | ||
Ach, ich hab‘ in meinem Herzen - aus „Der schwarze Peter“ | Rudolf Schock, Schaumburger Märchensänger Orchester | B Major | 2 | 1B | 57 BPM | ||
An der Himmelstür | Peter Alexander | B♭ Major | 7 | 6B | 172 BPM | ||
Was Frauen träumen | Peter Alexander | D♭ Major | 3 | 3B | 71 BPM | ||
Heimat Deine Sterne | Fred Bertelmann | E Major | 3 | 12B | 106 BPM |