"Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : III Andante" by Evaristo Felice Dall'Abaco, Concerto Köln was released on September 11, 1998. With Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : III Andante being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 34 in Dall'Abaco : Concerti (DAW 50) by Evaristo Felice Dall'Abaco, Concerto Köln. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : III Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : III Andante by Evaristo Felice Dall'Abaco, Concerto Köln is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Recorder and Flute in E Minor, TWV 52:e1: II. Allegro | Georg Philipp Telemann, Dorothee Oberlinger | E♭ Minor | 3 | 2A | 132 BPM | ||
Le Bourgeois gentilhomme, LWV 43, Act IV Scene 5: Marche pour la cérémonie des Turcs (Arr. for 2 Harpsichords by William Christie & Justin Taylor) | Jean-Baptiste Lully, William Christie, Justin Taylor | F♯ Minor | 4 | 11A | 85 BPM | ||
Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.5 in G minor : I Largo | Evaristo Felice Dall'Abaco, Concerto Köln | F♯ Minor | 2 | 11A | 114 BPM | ||
Theodora, HWV 68, Overture: Grave - Allegro | George Frideric Handel, Arcangelo, Jonathan Cohen | D Major | 2 | 10B | 105 BPM | ||
Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.7 in C major : I Largo andante | Evaristo Felice Dall'Abaco, Concerto Köln | B Major | 1 | 1B | 104 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: I. Preludio. Largo | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 80 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Concerti a più istrumenti in B Minor, Op. 6 No. 4, II. Adagio | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | D♭ Minor | 1 | 12A | 84 BPM | ||
Trio Sonata in A Major, A02: I. Andantino | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 0 | 4B | 61 BPM | ||
Symphony in E Minor, H. 652, Wq. 177: III. Allegro | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM |