"Stage One" by Tim Wynn was released on February 5, 2016. The duration of Stage One is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Stage One's duration is considered a little bit shorter than the average duration of a typical track. This song is part of XCOM 2 (Original Soundtrack from the Video Game) by Tim Wynn. The song's track number on the album is #12 out of 29 tracks. In terms of popularity, Stage One is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Stage One by Tim Wynn has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Stage One being at 118 テンポ, the half-time would be 59 テンポ with a double-time of 236 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Remote Warning | Petri Alanko | E Minor | 3 | 9A | 110 BPM | ||
Finding the Martyr (Intro) | Gergely Buttinger | C Major | 4 | 8B | 94 BPM | ||
The Final Battlefield | Paul Leonard-Morgan | D Major | 10 | 10B | 175 BPM | ||
Grineer Onslaught | Keith Power | F♯ Major | 9 | 2B | 160 BPM | ||
Combat & Extras: Combat - High Intensity - Engagement - Section 2 | Erasmus Talbot | D♭ Major | 6 | 3B | 81 BPM | ||
Choice and Consequence | Justin E. Bell | G Major | 0 | 9B | 146 BPM | ||
Singapore Ambient (Part 2) | Michael McCann | B♭ Minor | 3 | 3A | 86 BPM | ||
Ambients | Daniel Licht | E Minor | 1 | 9A | 89 BPM | ||
The We (Horatio Theme) | Arnaud Roy | G Minor | 1 | 6A | 120 BPM | ||
Origin System | George Spanos | B♭ Major | 1 | 6B | 86 BPM |