Burton Lane, Bryn Terfel, English Northern Philharmonia, Paul Daniel's 'On a Clear Day You Can See Forever [On a Clear Day (From: On a Clear Day You Can See Forever)]' came out on January 1, 1998. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 19 in Bryn Terfel - If Ever I Would Leave You by Bryn Terfel, English Northern Philharmonia, Paul Daniel. Based on our statistics, On a Clear Day You Can See Forever [On a Clear Day (From: On a Clear Day You Can See Forever)]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of On a Clear Day You Can See Forever [On a Clear Day (From: On a Clear Day You Can See Forever)] by Burton Lane, Bryn Terfel, English Northern Philharmonia, Paul Daniel is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The World Goes 'Round | Brenda Pressley | B Minor | 1 | 10A | 105 BPM | ||
Finale | Meredith Willson | C Major | 3 | 8B | 139 BPM | ||
When Velma Takes The Stand (from "Chicago") | John Kander, Chita Rivera, Chicago Ensemble, Stanley Lebowsky | G Major | 7 | 9B | 114 BPM | ||
Dear Friend | Laura Benanti | D♭ Major | 2 | 3B | 106 BPM | ||
Where Is Love? | Julia Deakin, Gregory Bradley | C Major | 0 | 8B | 71 BPM | ||
That's For Me | Ben Wright, Rodgers & Hammerstein | F♯ Major | 3 | 2B | 71 BPM | ||
Larger Than Life | Evan Pappas | E♭ Major | 2 | 5B | 135 BPM | ||
Overture (From "Finian's Rainbow") | Burton Lane, The Broadway Theatre Orchestra, Lehman Engel | G Major | 4 | 9B | 99 BPM | ||
Sunny Side to Every Situation | Karen Prunczik, 42nd Street Ensemble | E♭ Major | 1 | 5B | 139 BPM | ||
Kiss Me, Kate: So in Love | Cole Porter, Patricia Morison, Pembroke Davenport, Original Broadway Cast Orchestra | A Major | 2 | 11B | 111 BPM |
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