- BPM
- 82
- Key
- F Major
- Camelot
- 7B
Bell Carol - William Mathias, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble Information
- Acousticness
- 99%
- Danceability
- 42%
- Energy
- 5%
- Instrumentalness
- 24%
- Liveness
- 9%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 11%
- Popularity
- 0%
- Loudness
- -21.456 dB
Summary
"Bell Carol" by William Mathias, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble had its release date on September 1, 1991. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 19 in Bach Choir sing Family Carols by The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bell Carol is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Bell Carol BPM
The tempo marking of Bell Carol by William Mathias, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Bell Carol Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | On The Lines | Michelle Legauffe | C Major | 3 | 8B | 64 BPM | |
 | Mass for Double Choir: II. Gloria | Frank Martin, Westminster Choir, Joe Miller | C Major | 1 | 8B | 88 BPM | |
 | All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | |
 | The Cloths of Heaven (Orch. by Iain Farrington) | Rebecca Dale, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | G Major | 1 | 9B | 107 BPM | |
 | Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | |
 | Yver, vous n'estes qu'un villain | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | B Major | 0 | 1B | 78 BPM | |
 | Sacred Concerto No. 6, "Slava vo vishnikh Bohu" (Glory to God in the highest): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | F♯ Major | 0 | 2B | 69 BPM | |
 | Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | |
 | 30 Little Chorale Preludes, Op. 135a: VII. Es ist das Heil uns kommen her | Max Reger, Ludger Lohmann | G Major | 1 | 9B | 129 BPM | |
 | Bring Us, O Lord God | William Harris, The Choir of The Queen's College Oxford, Owen Rees | D♭ Major | 1 | 3B | 83 BPM |
- ISRC
- GBLWD9111015
- Label
- L-M Records/RCA Records