"Lagrime di San Pietro (Tears of San Pietro): 4a parte - Qual' a l'incontro di quegli occhi santi" by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter was released on January 1, 2003. With Lagrime di San Pietro (Tears of San Pietro): 4a parte - Qual' a l'incontro di quegli occhi santi being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Orlande de Lassus, Hofkapelle Ensemble, Michael Procter's "Lassus, O.: Lagrime Di San Pietro / Melancholia" album is number 4 out of 34. On top of that, Germany appears to be the country where this track was created. Lagrime di San Pietro (Tears of San Pietro): 4a parte - Qual' a l'incontro di quegli occhi santi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lagrime di San Pietro (Tears of San Pietro): 4a parte - Qual' a l'incontro di quegli occhi santi by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chi la Gagliarda | Donato Baldissera, Amarcord | E Minor | 0 | 9A | 81 BPM | ||
The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 5 | 8B | 180 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM | ||
Nigra sum sed formosa II | Jean L'héritier, The Choir of King's College London, Gareth Wilson | G Major | 1 | 9B | 92 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Acceso mio cuore (Ciaconna) | Francesco Manelli, Capella De La Torre, Katharina Bauml | C Major | 0 | 8B | 109 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM |
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