"Bassoon Concerto: II. Serenade Nocturne: Andantino" by Henri Tomasi, Christian Kunert, German String Orchestra, Olivier Tardy was released on January 1, 2013. With this song being about 5 minutes long, at 4:36, "Bassoon Concerto: II. Serenade Nocturne: Andantino" by Henri Tomasi, Christian Kunert, German String Orchestra, Olivier Tardy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Henri Tomasi, Trio d'anches Hamburg, Olivier Tardy's "Henri Tomasi: Concertos for woodwind instruments" album is number 7 out of 11. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Bassoon Concerto: II. Serenade Nocturne: Andantino's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bassoon Concerto: II. Serenade Nocturne: Andantino by Henri Tomasi, Christian Kunert, German String Orchestra, Olivier Tardy to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Unaccompanied Tuba: IV. Galop: Presto | Walter S. Hartley, David Zerkel | E Major | 7 | 12B | 112 BPM | ||
Symphonic Suite No. 2 "Pernambucana": IV. Frevo | César Guerra-Peixe, Goiás Philharmonic Orchestra, Neil Thomson | E♭ Major | 3 | 5B | 146 BPM | ||
Pièces Brèves - Suite 1: Menuet | Henri Tomasi, Emilie Capulet | F Major | 0 | 7B | 80 BPM | ||
Fantasia: I. Anime (Arr. For saxophone and piano) | Heitor Villa-Lobos, Timothy McAllister, Tannis Gibson | D Major | 2 | 10B | 101 BPM | ||
March from Symphonic Metamorfosis IV | Paul Hindemith, Göteborg Wind Orchestra, Christian Lindberg | B♭ Major | 3 | 6B | 72 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Trumpet Concerto (Ed. F. Villard): III. Finale | Henri Tomasi, Håkan Hardenberger, Royal Stockholm Philharmonic Orchestra, Fabien Gabel | D♭ Major | 5 | 3B | 131 BPM | ||
Trombone Concerto: III. Allegro grazioso | Kazimierz Serocki, Christian Lindberg, Swedish Radio Symphony Orchestra, Leif Segerstam | C Major | 1 | 8B | 154 BPM | ||
Concert: I. Allegro moderato | Oskar Boehme, Sergej Solodovnik, Timofei Dokshitser | B♭ Major | 5 | 6B | 149 BPM | ||
Requiem pour la paix: Dies irae | Henri Tomasi, Marie-Paule Lavogez, Jacqueline Mayeur, Michel Pastor, Didier Henry, Provence-Alpes-Cote d'Azur Regional Choir, Alpes-Maritimes Departmental Choir, Marseille Philharmonic Orchestra, Michel Piquemal | G Major | 2 | 9B | 170 BPM |
Section: 0.7310640811920166
End: 0.7366418838500977