Hans Christian Lumbye, Tivoli Symphony Orchestra made "Victoria Bundsen Polka-Mazurka - 1864" available on July 24, 1998. The duration of Victoria Bundsen Polka-Mazurka - 1864 is about 3 minutes long, at 3:28. Based on our data, "Victoria Bundsen Polka-Mazurka - 1864" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 2" album is number 4 out of 16. On top of that, Hong Kong appears to be the country where this track was created. Victoria Bundsen Polka-Mazurka - 1864 is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Victoria Bundsen Polka-Mazurka - 1864 by Hans Christian Lumbye, Tivoli Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Series I., Op. 46, B. 83: II. in E minor. Allegretto scherzando | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | ||
Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM | ||
BOCCHERINI-MINUET FROM STRING QUINTET | 101 Strings Orchestra | A Major | 1 | 11B | 86 BPM | ||
Norwegian Peasant Dances, Op. 72 | Edvard Grieg, Isabel Mourao | D Major | 1 | 10B | 95 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Leben heißt genießen | Munich Radio Orchestra, Rundfunkorchester Des Südwestfunks, Orchester Des Raimundtheaters Wien | D Major | 4 | 10B | 159 BPM | ||
English Folk Song Suite: 3. March: Folk Songs from Somerset | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 119 BPM | ||
8 Slavonic Dances, Op. 46: No. 3 in A flat (Poco allegro) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | A♭ Major | 0 | 4B | 83 BPM | ||
Raymonda, Act III: Variation 2 for four dancers | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 129 BPM |
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