"The Separation - From "The Color Purple" Soundtrack" by Quincy Jones was released on January 1, 1989. The duration of The Separation - From "The Color Purple" Soundtrack is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. The Separation - From "The Color Purple" Soundtrack's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Color Purple (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The Separation - From "The Color Purple" Soundtrack is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Separation - From "The Color Purple" Soundtrack by Quincy Jones having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C-Sharp Minor / Pt. 3: IV. Adagietto - Rehearsals | Gustav Mahler, Cate Blanchett, Dresdner Philharmonie | D Major | 1 | 10B | 77 BPM | ||
Creole Rhapsody | Duke Ellington | B♭ Minor | 2 | 3A | 113 BPM | ||
Bach Suite | Brian Reitzell, Roger Neill, Dave Palmer | D Minor | 0 | 7A | 64 BPM | ||
Holman Prison | Joel P West | A Minor | 3 | 8A | 130 BPM | ||
Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
La tela roja | Alberto Iglesias | A Minor | 1 | 8A | 82 BPM | ||
Last Dance in Paris | Anders Johan Greger Lewen | E Minor | 1 | 9A | 88 BPM | ||
Why Did She Choose You? (2nd Version) | Gato Barbieri | E♭ Major | 4 | 5B | 83 BPM | ||
Blues / La Dolce Vita Dei Nobili | Nino Rota | F Minor | 1 | 4A | 126 BPM | ||
Le cercle rouge - BOF "Le cercle rouge" | Eric Demarsan | D Minor | 4 | 7A | 119 BPM |
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